Verdict on the new so-called James Bond movie, Casino Royale: It's new. It's fresh. But it's not Bond:
Bored with Bond? No problem. We've got a shiny new one—Bloomberg.com
Call me a cranky old fart if you will, but some of us liked the old 007 just damned fine, thank you very much. Some of us don't want four decades of character history and basic elements of the series chucked out the window for the sake of attracting today's 18-24 male demographic, most of whom weren't even gleams in their daddies' eyes when the real Bond made his bones. No Q (not even the John Cleese version)? No Miss Moneypenny? No gadgets to speak of? Not even the usual "dry martini—shaken, not stirred"? WTF?!
Too many perfectly good concepts are being remade these days for the sake of remaking them (and cashing in on "the brand"), when they were gotten right the first time: Battlestar: Galactica (well, okay, I'll concede this one isn't bad), The Omen, Willy Wonka and the Chocolate Factory, Texas Chainsaw Massacre...the list goes on. Producers and executives too often feel that the old version can't cut the mustard with the younger generation, can't be salvaged. Did they even fucking try?! Chalk this one up as another needless (and inferior) makeover of a quality original.
Somehow I don't think I'll be queuing up for this one. Now excuse me while I go watch my DVD of Thunderball.
Bored with Bond? No problem. We've got a shiny new one—Bloomberg.com
Call me a cranky old fart if you will, but some of us liked the old 007 just damned fine, thank you very much. Some of us don't want four decades of character history and basic elements of the series chucked out the window for the sake of attracting today's 18-24 male demographic, most of whom weren't even gleams in their daddies' eyes when the real Bond made his bones. No Q (not even the John Cleese version)? No Miss Moneypenny? No gadgets to speak of? Not even the usual "dry martini—shaken, not stirred"? WTF?!
Too many perfectly good concepts are being remade these days for the sake of remaking them (and cashing in on "the brand"), when they were gotten right the first time: Battlestar: Galactica (well, okay, I'll concede this one isn't bad), The Omen, Willy Wonka and the Chocolate Factory, Texas Chainsaw Massacre...the list goes on. Producers and executives too often feel that the old version can't cut the mustard with the younger generation, can't be salvaged. Did they even fucking try?! Chalk this one up as another needless (and inferior) makeover of a quality original.
Somehow I don't think I'll be queuing up for this one. Now excuse me while I go watch my DVD of Thunderball.
no subject
Date: 2006-11-14 08:46 pm (UTC)no subject
Date: 2006-11-14 08:50 pm (UTC)no subject
Date: 2006-11-14 09:04 pm (UTC)Let's face it--forty years of history are all well and good, but Die Another Day was a two hour advertisement for the Ford Motor Company performance car division. Maybe it's time for a reboot. After all, as the review asserts, it ends with at least one part of the old series that just isn't going away...they haven't stripped everything away.
I think Broccoli is the one spinning, not Fleming. But it's not really Broccoli's creation.
By the way, I'd put up a mild spoiler warning about that review.
(Oh, and the new Battlestar Galactica isn't just "not bad," it's brilliant, as you well know.)
no subject
Date: 2006-11-18 07:35 am (UTC)no subject
Date: 2006-11-14 09:08 pm (UTC)Nothing cute about Bond.
No stupids joke or gadgets (part of the only reason I liked "For Your Eyes Only" do you recall the scene when Bond pushes the car off the cliff WITH the enemy agent in it?)
no subject
Date: 2006-11-14 09:29 pm (UTC)no subject
Date: 2006-11-14 10:29 pm (UTC)Also, I have to disagree with you about Willy Wonka... It was perfectly reasonable to make a movie that was closer to the book. It's a shame it fell so short, though again, it's okay if you don't expect it to be a fair translation of the book to the screen. (I really disliked Johnny Depp's characterization; Willy Wonka was far more assertive and confident -- that was the best part of Gene Wilder's Wonka.)